{ keep it light enough to travel. }
Jan. 3rd, 2008 11:42 pmYou know that part in the Raines pilot, when he's talking to Charlie, convinced the whole thing is over and the case has been solved? And then Charlie asks him something, and the victim comes sailing back into view, skirting about on roller blades? Or that moment in Independence Day when they first send off those explosives with the hope that they'll penetrate the shield of that terrifying ship, and everyone is triumphant until they've realised they've actually failed? Those are the moments in the middle of a story, those are moments that we just glaze over because that's just part of the plot, that's just one problem. The failed attempt. We gloss over those because we acknowledge that they're part and parcel of the narrative.
But what happens when you get to the end of the narrative, and the ghost doesn't disappear? It's such a disappointment for the protagonist. It makes me rethink the victim's reappearance in the Raines pilot, how much that must have effected him. Because the possibility that stares him in the face is: the ghost may never leave. And that's what I wrote at the end of Faces I Have Known, but I didn't really think about what I was doing. It just seemed sort of inevitable at the end of that fic. Here's Michael Raines, he's getting used to this whole process, he's surviving it and then, snap, something new, something else that he has to adjust to, something else to hide from Kohl and Lewis, something else to fight inside his own head. Charlie is one thing; he needs Charlie. But that girl at the end of the fic is something else. I feel a little guilty doing that. Which is to say: there are no simple fixes, and Dawson makes that clear enough in Watch Me Disappear.