delga: ([life] that's zen --is it?)

Haha, so I was reading old entries (from about a year ago) and I realised, wow, I'm a posting miser these days. What's with that? Mostly it's because I have nothing to do right now except complain - about being home, about my parents, about my lack of employment. So. Consider that portion of this post over with because I'm too tired to talk about that again.

--

Last night I had a dream which mashed up Life and Weeds. Crews and Nancy were married, and Crews was having an appropriately challenging conversation with Shane. It was SO BIZARRE.

--

My cousins from Canada are in England this summer for my other cousin's wedding (which is in a fortnight, aie). They're staying at their paternal grandfather's house but they came to visit this week. (Their mum is The Dad's younger sister.) Anyway, they arrived on Wednesday night, although I thought they were coming over the weekend. This turned out to be a good thing which I knew it would be, regardless of my reluctance, because my older cousin, R, is hilarious. Her sister, T, and I are the same age, and she's very sweet, too. So we had dinner at our house on Wednesday night, and on Thursday we had dinner at Baby Cousin's house. We also tried to watch Enchanted but we kept getting interrupted. Managed to watch the whole thing, though.

There was a lot of walking to and from my house because my Foiba (The Dad's sister) is a walking fiend. On Thursday we also made a trip to a local park where we fed ducks and played in the kids' playground with Baby Cousin. Again: hilarity! It was a really lovely day, actually, and so sunny, too. On Friday they went to Twin Lakes with Baby Cousin; I skipped that particular trip. I saw the photos when they came back, though; looks like everyone had a great time.

Said cousins spent Friday night at our house again, which was great. We watched Hairspray and fussed with bedding &c. &c. They left after breakfast on Saturday morning. Poor R! They're super bored at their grandparents' house because there's nothing to do, and no-one to hang around with. No net, either, so it's not like they can talk to people back in Canada either.

--

So, V's wedding is in a fortnight. The registration is in a week's time, 16th August, and then the wedding itself is a week later. Things are, naturally, crazy in the house at the moment because clothes need unstitching and restitching. I'm slowly extraditing cheese from my diet and trying to keep up a habit of walking out. That said, every time I step out it starts opouring with rain. Thankfully I have my trusty brolly to keep me dry.

Today I walked into D. (yes, it was raining) and on the way I saw about 50 classic cars drive past. They all had yellow cards with numbers on them stuck to the windshields so I guess there was something going on. It was pretty amazing all the same.

--

Am having a bit of a disc crisis. The drive is working again, thankfully, but I was trying to access NCIS S4 for The Sister today and the disc wouldn't read. "Cyclic redundancy check". SIGH. It turns out the settings I was using to burn the discs were incorrect so now I have to salvage twenty-odd discs of information. SIGH. Thankfully the ones I was using to back up actual files are fine.

--

In the musical portion of this update, I've recently started listening to a folk band called The Wailin' Jennys. Invested in a couple of albums early last week. A light and lovely sound, fairly traditional, and a great soundtrack whilst I'm reading. (The Time-Traveller's Wife continues to be wonderful. It's been slow going, though, what with the visits &c.)

--

Yesterday I watched The Darjeeling Limited which I've been waiting to see for quite some time now. It was funny and beautifully shot. Someone's posted a picspam of it at [livejournal.com profile] picspammy today which made me want to watch it again but I'll give it a break, I think.

I also posted some icons for the first time in months yesterday. I don't know. I just don't get a kick out of making icons any more. DUN DUN DUNNNN. A sign of age? Or a sign of impending doooom? I'm going to strike for a middleground and suggest that I'm too lazy to bother doing anything I give a damn about any more.

--

Do you know what's smashing? THE MIDDLEMAN. How I love it so! I've finally caught up and was Very Pleased to see the return of Jacket-less Middleman. !!!!

delga: ([witb] (in)decipherable.)

My (ex-)housemate T is the bestest.


And with that, flisters, I am too knackered to live at the moment, so heading to the confines of my bed where I will no doubt once again dream about owning a company which manufactures arm&leg warmers to the clients' specifications. Oh yes. The high life.

delga: ([torchwood] we call this kidnap.)
A Blessing
by James Wright

Just off the highway to Rochester, Minnesota,
Twilight bounds softly forth on the grass.
And the eyes of those two Indian ponies
Darken with kindness.
They have come gladly out of the willows
To welcome my friend and me.
We step over the barbed wire into the pasture
Where they have been grazing all day, alone.
They ripple tensely, they can hardly contain their happiness
That we have come.
They bow shyly as wet swans. They love each other.
There is no loneliness like theirs.
At home once more,
They begin munching the young tufts of spring in the darkness.
I would like to hold the slenderer one in my arms,
For she has walked over to me
And nuzzled my left hand.
She is black and white,
Her mane falls wild on her forehead,
And the light breeze moves me to caress her long ear
That is delicate as the skin over a girl's wrist.
Suddenly I realize
That if I stepped out of my body I would break
Into blossom.

--

Oh, Tracy Chapman. all you folks think you own my life / but you never made any sacrifice / demons, they are on my trail / I'm standing at the crossroads of the hellHave y'all heard never yours yet? Hell, yes.

delga: ([ncis] team players.)

Currently I'm resisting the urge to talk at length about the end of Kill Ari, II (again) so instead you can read my immediate thoughts tomorrow morning when LoudTwitter delivers them for me. \o/ NCIS, how I hope I shall never tire of thee. ♥

--

STOP WHAT YOU ARE DOING. RIGHT. NOW.

Thank you! Now make a trip to [livejournal.com profile] theseasaid, [livejournal.com profile] twincy's graphics/fic comm, and marvel, marvel with wide eyes at the treats on show. Fic! Icons! HAIKU! Smash and ing. (Especial joys include: Torchwood haiku and Lt/Dani Life fic.) Yayarms!

--

Do any of my US flisters still use Pandora.com? I got kicked off when they cut the service to the UK, but I've yet to find an adequate substitute (Last.fm tries really hard but isn't the same, really). If anyone could tell me what Pandora throws up in relation to The Be Good Tanya's Junkie Song, I'd be very grateful.

--

So, In Plain Sight turned out to be Just My Thing (obviously) despite the fact that it has the World's Most Boring Subplots and kind of overplays its hand sometimes. I kind of adore Marshall, though! And it'll do for now. Especially since Saving Grace starts up again next week. Pompoms, my dear folk, pom-fucking-poms.

delga: ([madmen] take what I can get.)

GIP because [livejournal.com profile] tigertrapped reminded me that I need to watch the last few episodes. (Ah, this scene kills me. Birdie and the birds, and all that self-sacrifice. I used to find her vacuous. Obviously I've seen the GRIEVOUS ERROR of my ways. January Jones is smashing.) I only know a couple of flisters who are watching this which... guys, rectify this already. Between January Jones and Christina Hendricks - plus the production which is TOP NOTCH; the clothes alone make me *swoon* - you can't go wrong.

--

I love this song. When I first listened to the album, I was a bit bored (Mercy isn't really representative, so if you go in for more of that, it's hit and miss), but now I'm seeing its charm. Warwick Avenue is great, too.

--

So! Let me tell you how great Monday was! Sunday afternoon through to Monday morning, I was writing that stupid essay. I didn't sleep, and because the office opens so late I didn't want to sleep straight off. Took a shower, dressed, drank some juice and went for a great early-morning walk at around 7am. It was still cool; the early morning air is sharp but good for walking. Got back to the house, went through my internet-related routines and then sat with The Flatmate and T as they had breakfast. (Wrote a letter because letter writing has become my thing again.) Left for the subsidiary campus at around 10am, Rilo Kiley swinging me on my way. The day was amazing, so I dropped off the essay and then walked the distance into town. Hung out in the park, then walked through town down to the docks. Came back up to the city centre and decided, fuck it, I'm going shopping. Unfortunately, though I earmarked some gorgeous dresses and tops, my budget doesn't really stretch that way right now. (Haha, I found a top I liked in Principles, so I texted The Mother - Nice top in Principles. £20 y/n? - and got 'yes' back. Except it wasn't worth £20 so I left it in the end. But! Wallis has a sale! May go back and buy me a dress.)

T met me a little while after that and we went to M&S (she bought sushi! I bought juice. NATCH) before buying doughnuts to share with N and The Flatmate when we got home. (The Flatmate was writing a 3k book journal on Holocaust related literature so we decided doughnuts were in order.) Ate lunch, went to Boots, Paperchase and then Asda where I bought a delicious French stick which I ate for dinner last night.

Aie, aie, aie. I was so dizzy in the evening because (a) NO SLEEP and (b) I hadn't really eaten. So I sat down to eat, and moron that I am, decided it was time to finish the rosé. MORON. Now I'm sleep-deprived, carb-filled and I'm pretty certain that wine hit me. What do I do? Go for another walk. At 8.30pm. *headdesk* But I needed to stay awake until 10 or I wouldn't sleep properly. Came back from the walk (whole thing was dizzying), washed up, sat with The Flatmate for the first 10 minutes of Waking the Dead (no specs, no consciousness, so I have no idea - someone was convinced that the bones weren't his father?) then went and dozed on T's bed whilst she played some Ani DiFranco. Finally dragged my arse up the stairs and went to bed a little after 10pm.

Woke this morning to Leona Lewis at 7am. I slept straight through, unsurprisingly. It's shaping up to be another beautiful day. I'm going to go for another walk and then read Eugenides' Middlesex because I think I'm going to use it for Monday's essay.

--

I have three weeks' worth of Bones to watch, lols. Fandom, currently you fail to live up to RL. (Unless you are WMC or BSG. Or Cold Case, apparently, which I am storing up to watch. Why hello there, Crime Procedural.) WHAT AM I GOING TO DO WHEN I HAVE TO GO HOME?

delga: ([Random] raptor.)

The guilt and the procrastination aren't linked in any way. I've spent most of today working on the essay and listening to Damien Rice. Now I'm listening to Phil Collins because I'm exactly that kind of awesome. So, via last.fm:

01 genesis: invisible touch.
02 phil collins: something happened on the way to heaven.

Some of you may remember that the songs Dancing in the Dark (Springsteen) and Summer of '69 (Bryan Adams) make me BAWL like a bereaved child. (Yeah, yeah, okay, I know how freaking weird that is.) Well: the above two have a very similar effect. I don't know what it is! It's almost like I love them too much. Which, if you consider what they actually are, is TERRIBLE.

(Haha, when TWoP's Jacob said he uses the second song on his writing playlist, I loled and then cried. Too perfect. Seriously, though, that latter song makes me trip out something fierce.)

--

Ugh. UGH. c.2200 words left to write.

delga: ([SGA] is this the real world?)

Let's talk about how coming home is like moving time zones, shall we? It's 1721 over here and it actually feels like that's the right time. Ignoring the fact that my body doesn't seem to be able to deal with the sudden drop in temperature (it's freezing; I forget that about being in D.) and the fact that I am date challenged ("It's Tuesday today, right?" "Wrong." "...what?"), whenever I'm in D. I always know the time. I don't have to look at a clock! I get tired around 11pm! I sleep through the night! I wake at a Human hour! Lunch time falls in the middle of the day. I think it's all the exposure I get to daylight here that makes the difference. (Bay windows = love.)

--

So, I've been promising a recs post for forever, but looking at my del.icio.us account, I think it's going to have to be 'posts' plural. I've started doing that, though, so the first of those will be up soon.

--

Today I spent the morning standing behind the till at The Dad's store - D. is deathly quiet so the shift went slowly, except for The Dad coming in and out of the store. As part of his work with the local Rotary Club, The Dad has been involved in a local school art exhibition. This morning, he and the Club president had to judge the entries and pick winners. He also had various other chores to get done, and The Mother went to a computer class, so I was all on my own.

Although it was boring as always, it was nice to see the locals. One gentleman, Mr N, is originally from Poland (not one of the 'Poles' the documentary was talking about; Mr N is post-war immigrant) and I first met him when I started working for The Dad 5 years ago. Back then Mr N would barely look at me. Today he walked in, saw me, smiled wonderfully, and we had a pleasant conversation. ("Have you passed, or did they kick you out?" Pleasant is a relative term, naturally. But he wasn't being ornery, just joking.) Anyway, that was less stressful than it used to be.

This afternoon I've been sitting in the study next to The Dad watching (and dictating) as he writes a letter to one of the schools which participated in the exhibition. (OH GOD: LEARN TO USE KEYS LIKE 'END' AND 'HOME' PLEASE OH GOD PLEASE.) The letter is to inform the schools of the winners and of the prize-giving date. That took at least an hour. After he left, I formatted the whole thing, spell- and grammar-checked it, and then saved copies with the different school addresses so that all he has to do when he gets back is print them out. (We were working off letters that another Rotarian sent out last year - whoever he is, he needs someone to check his writing. Atrocious spelling mistakes!)

Irony: I stopped half-through the above paragraph to answer the phone. It was The Dad who wanted me to (a) find a telephone number of one of his Rotary partners, and (b) send said partner an email. Admin skills? Check.

--

Since Friday, three different people have commented (positively) on my diction. Ironically, I was being arch on all three occasions. Verily M's Voice of Bitch = well-spoken at the very least.

--

The weekend, in which - amongst other things - M. survived the journey from Soton to D. Yayarms. )


--

Benefit of being home: reliable net connection! Additional benefit of being home: reliable net connection that always loads LJ userpics! Smashing!

--

The music blogs that I'm subscribed to via Google Reader have supplied me with endless Rilo Kiley this weekend, not to mention other wonderful things. Thus, I'm now listening to 'The Execution of All Things'. A Better Son/Daughter is one of those Rilo Kiley tracks that I hated the first time around (why???) and now LOVE quite viciously.

Now: to answer comments and emails. Huzzariffic.

delga: ([bones] friend and partner.)
Color Code
by Gina Myers and Dustin Williamson

looking for that time
the annuls of science yield
the expert opinion of
tea into many glasses,
the expert taste of
a budding irregular
clothing line—
how we turn fact into
lewd friction
ice cream sodapop
& lye in a cut
the smooth burn of
the blues
& a blue joke
sitting on the back porch
in a black suit

--

Woke late, am reading poetry. In fact, am reading every poem I've got bookmarked, saving those I'm supposed to be reading for next week's class. Win. (Later: a ballade! Fab.)

--

Shared some Basia Bulat with my girl [livejournal.com profile] storyloves (you know, I'm still not used to your new username, lols) and realised that other people might not have Touch the Hem of His Garment. Buzz me if you're interested.

--

So, millennia later, I finally finished Hallam Foe. I loved it. Completely. Everyone was cast perfectly, the music and the direction was clear cut, and the resolution was both terrifying and grossly satisfying. Marvellous piece of cinema.

delga: ([Random] tranquilise.)

How much do you love that drum at the beginning of Don't Choose the Wrong Way? Goddamn. (I think it's that Irish hand drum. I don't know. It makes me shiver.)

edit: AND HER VOICE. This blend of sound is actually pretty reminiscent of that Imagined Village track, yes/no? I mean, in terms of the instrumentation. The mental landscape is completely different (this one's much smoother, for one). But the idea feels the same, like seeing the horizon and being on it.

delga: ([Random] thinly-veiled dissonance.)

So, I know that my flist is split pretty 50-50 on the subject of folk music but this is folk as you've never seen it done (I mean, come on - they have someone playing THE SITAR and the freaking DHOL). I love The Imagined Village, but this has got to be one of their best tracks ever. Even if you don't like folk as a genre, you really need to check this out. It's phenomenal.

delga: ([life] that's zen --is it?)

Today's perusal of music blogs revealed a track that I actually own but have never listened to properly. To wit: check out Jaymay's Gray or Blue.

--

The answers for this meme: answers. )


--

So, Vera Farmiga has astonishing eyes. I thought so in The Departed! And now in Touching Evil (US), too. Which did exactly what I thought it would do with the British version. It reminds me of Life? Except. I don't know. Life both takes itself more and less seriously than TE. ODDNESS. (Oh guys. Life needs to come back. RIGHT NOW PLEASE. [livejournal.com profile] daygloparker, are you watching this? Because: yes.)

--

edit: OH MAN. Best in Show is one of the funniest films ever.


and the pursuant scene, in which Parker Posey loses her shit. )

delga: ([Random] dance the devil on me.)

A lot of people have done this since, but I gakked this from [livejournal.com profile] twincy.

last.fm meme )


Relatedly: I have a new Tracy Chapman album, woo!

delga: ([Random] ever in transit.)

Today I am obsessed with this:

cut because it is being arsey. )


That's pretty much it. Also: I feel pretty unwell, but I'm sure I'm not actively dying.

delga: ([Random] skin.)

Today was spent mostly in a café with people who I miss sometimes and love all the time.

--

It was also spent writing my Ex.Writ. piece. I don't know when it's due but it's nearly finished, and it's one of the most ambiguous things I've ever written. I can see the narrative, but I'm not sure other people will, especially once I've formatted the whole thing. But - and this is vanity if ever there was such a thing - I sort of love it? I don't know. I wouldn't have the patience to read it if I didn't know it, but as it stands, I like it a lot. I just have to justify it now.

--

Oh, Basia. soon before you can tell you will be swallowed up into a giant whale.

delga: ([Random] take pause.)

HA. HA HA. HA.

So, it took about six hours (and many, MANY days), but my 3,000 words on Shelley's A Defence of Poetry? So nailed. I'm going to finish the bibliography and the references tomorrow morning (they're basically done, actually, I just need to put in the full citations). I feel much better now, natch.

--

I fucking love Metric. So brilliant. (And KEXP has The Editors doing a live session! Fabulous!)

--

This upcoming week is Reading Week which means I have time to catch up on some of the books that I've got stacked and waiting. It also means I can actually do my dissertation research, and start writing the first half-draft which is due in December.

The craziest part of this week is my assignment for Experiments in Writing. We have to re-write a popular myth or folktale (you can't buy this kind of irony; it's just too good) but we have to do it using a collage method. Which is to say, none of it can be my own writing; I have to piece the text together using other people's texts and 'found' text (i.e. text that I see everyday, like on cereal boxes or street signs). !!! I'm tempted to write the myth of Hades and Persephone again, using only Sylvia Plath's collection Ariel, because the idea of using the woman who wrote Lady Lazarus as the basis for the origins/coronation of the Queen of the Underworld is almost too ironic and fabulous. So, yeah.

--

UGH. I'm so going to sleep now. I'm too softcore for this late-night stuff.

delga: ([Random] the new new york.)

I totally bought Leona Lewis' single today.

Sigh.

I hate having shame about my pop love! I think it's mostly because people assume that if you like one pop-artist, you're into all of it which isn't true. I don't mind a lot of the mainstream stuff because I don't really know that it's happening - which is to say, I rarely listen to the radio anymore, and even when I do, it's Radio 2, and that station lands on the indie/folk/soul-pop side of things.

But I like a lot of pop music that I hear, in a kind of it's good in the background sort of way. It fulfils some basic musical needs for me: one, easy-listening repeated refrains. A lot of pop music is NOT about the lyricism; it's about a tune that is catchy, easy to listen to and is a quick mood-fix. Most of the music I listen to works on three levels - bass, melody and lyric - but pop music just doesn't work that way at all. Two: pop music is about voice in a very generic way. Pop music is about producing a listenable sound (yes, I realise that this is not actually a word, thanks).

I also feel that a lot of pop music is produced for an age-group that I no longer belong to, but I think that's an incorrect assumption because I know a lot of people who re older than me who love pop. So, I guess, pop music is something that I've mostly outgrown, and something I consign as a nostalgia trip when I bring it up again. I much prefer 80s/90s pop to contemporary pop, but I do link that music to specific periods of my life. Spice Girls (!!!) remind me of summer at my aunt's house with all of my cousins, and I was into Boyzone around that time, as well as Steps, the early S Club 7 stuff; Pink, Christina Aguilera, Westlife, Dido and a few others that I can't remember right now, were the people I was listening to until I was 16 which is when I started to phase that music out and take a more active interest in country/folk and Indie music (hai thar Ani DiFranco). But I was still into some of the more sophisticated stuff, like Natalie Imbruglia, old-school Nelly Furtado, and I've loved nearly everything Destiny's Child ever brought out.

I only really got into 'real' music - i.e. bands that play their own instruments, write their own songs - when I came to university, mostly because I spent most of my A-levels obsessing with American Indie music and getting to grips with that sound before coming back and looking at what British music had to offer, which was a good time for it because that was the time when we were finally getting the full-force effect of the musical backlash on pop contests, and the music scene was all about 'reality' (as opposed to produced music). So that's when I got into Coldplay's earlier stuff - when their third album came out, I was listening to the first, heh - Franz Ferdinand, and the bands that stepped up after that, The Killers, The Fray, and then back again to Snow Patrol. In the past few years, British female solo artists have made another return, and we're getting the most amazing music from the likes of artists like Corinne Bailey Rae, Lily Allen, KT Tunstall, all these different sounds, but definitely a female reaction to the band-mentality of 'reality' music which is predominantly male. I can't explain it, but the British music scene doesn't have bands like the Indigo Girls and so on; women break out on their own a lot, but I can't really name a popular female band. I want to say The Long Blondes but they haven't made it big, regardless of how fabulous their music is.

(UM. MY LANDLORD IS RIGHT OUTSIDE MY WINDOW. I LIVE ON THE FIRST FLOOR. ??)

But, yeah, I don't listen so much these days, but that's not to say there aren't some people I'd listen to. Sugababe's second (?) album had a lot of tracks on it that I enjoyed, and I'll be back for more Dido if she ever produces another record. I don't like Aguilera or Pink's new stuff, but they both had excellent second albums. Recently some of the later Girls Aloud stuff was good to listen to, and I know I totally ribbed that song with the ridiculous dancing, but I really enjoyed that song! And, well, I'm still a huge Céline Dion fan; I consider her one of the great divas, like Mariah, Whitney, old-school Madonna and so on.

Which is how we get to Leona Lewis.

--

I don't watch any music/dance/model contest shows, but I did tune in to a couple of X-Factor episodes last year, and I watched a repeat of the final because the girl that won (Lewis) has the most fantastic voice I have heard in a long, long time. Guys! What happened to the divas? Because I feel like unless pop goes back to liking that style (which, I thought it might have done when Aguilera came back because that woman has a set of lungs on her like no other), Leona Lewis was born to the wrong generation. I only found out afterwards that the single she released post-show was a Kelly Clarkson cover (her second album - huh, this is a weird theme - is still a good listen), but I really love her rendition of it. (It's A Moment Like This for those that care.) But she has such a clear, strong voice, and she consistently hits every damn note.

Her new single is called Bleeding Love and it's got this bass beat that I honestly cannot get over. The pace is interesting because it's slower than most, but that bass/sync sound carries it, and the rhythm has a lot to do with the lyrical framing. The music and Lewis' voice remind me of that pop we got at the beginning of the 90s, just before The Spice Girls broke out and changed how women performed in pop music; and yet the style of the whole thing is very, very contemporary. The sound quality is as sharp as the first half of this decade, retaining that early simplicity and elegance of sound, without giving in to some of the scratchy/remixed vibe that contemporary pop music likes to play with. Unlike A Moment Like This, there's no classic-90s acceleration/shift-change at the last bridge (that was such a huge Westlife/Boyzone/boy band thing, and I love what it does, but it dates music a little) but the sound carries. This sounds like mature pop music, it's much more sophisticated than a lot of what is out there. The lyrics leave something to be desired, but they're more than passable, usual pop-fare (unlike Umbrella which needs to DIE).

But her voice is beautiful, and the sound is lovely. If I had a subwoofer, it would sound even better because the music would better be able to resonate around the room. It's different to most pop that's out there. Someone said that on first listen the song is disappointing but that it grew on them, and I think that's because if you go at it with the expectation that it's pop music, well, then it's going to disappoint a lot of those expectations because it really doesn't fall into a lot of the negative stereotypes that the word 'pop' brings up. MySpace has the song up here. I don't know that I'll like the album when it comes out, but the people she's been working with were once working with the divas (Celine, Whitney &c.) so I'm cautiously optimistic. Either way, the single is well worth listening to.

--

I can't believe I just wrote a whole post on pop music. But if that's not your thing, Robert Plant (Led Zeppelin) and Alison Kraus brought out an album a week or so ago, and though I haven't heard all of it yet, what I have heard is brilliant.

delga: ([raines] I see dead people.)

So, a handful of you have emailed me today ([livejournal.com profile] twincy, I'm pretty certain five of those are from you, not that I'm complaining), and I'll get around to answering those eventually but it's been a really long day, so in all likelihood I won't touch my inbox until tomorrow morning. If there's anything really urgent in those emails, comment here. Alternatively, I'll be signed into MSN after I've had something to eat.

--

Haven't really opened iTunes that much this week because I've remembered Pandora. I created a new station based on Kendall Payne's music and I'm so glad because I've picked up loads of new musicians to obsess over, including Catie Curtis who I am finding so easy to listen to. It's such a relief after such a long day.

--

I spent the day in the library doing the reading for 19th Century Poetry. It was all women poets this week, and I found them less obscure than their male counterparts, and even more approachable in some respects. I'm still at a loss as to why we had to read three of the nine parts of Elizabeth Barrett Browning's Aurora Leigh, especially considering the three parts that we read were: one, two and five.

Basically, this girl (Aurora) is orphaned and sent to live with her aunt, and she ends up devouring every book she can find and determining that she wants to be A Poet which isn't a Womanly Pursuit. She's offered marriage by her cousin, which she declines because she (a) doesn't love him and (b) doesn't believe that their pursuits are compatible. Her aunt admonishes her because, of course, being a woman, she owns nothing unless she's married; the aunt subsequently dies, and leaves Aurora her small fortune which Aurora uses to set herself up in London.

The fifth part closes with Aurora learning that her cousin (who has now set up some sort of socialist Christian commune that society disagrees with) is going to marry another woman. I think in the missing two sections the cousin falls in love with another girl who either dies or shames him in some way, and thus he's rejected a second time. But, anyway, the cousin has found a third person, and this one actually wants to marry him; she's more than a little rude to Aurora who, in any case, has decided to leave her cousin to his own affairs and return to Italy which is where she was born and spent her formative years. I have no idea what happens after that, although Wikipedia tells me that Aurora ultimately decides that she loves her cousin, which I find more than a trifle disappointing.

A lot of the poem deals with femininity, and what it means to be A Woman, and what it means to be A Poet. It was quite good all things considered, but it took a long time and I also had to read other poems, as well as criticism, although, in fairness, Letitia Elizabeth Landon's prose was pretty straight-forward for the most part.

--

Hahaha, more books arrived in the mail today - my copy of the shortened prose version of The Mahabharata (which so far has a disappointing tone and narrative flimsiness that I disapprove of - make of that comment what you will) and a copy of The Bhagavad Gita which so far is poetic and thought-provoking, though I'm not far into it.

I really want to sit down and read all the books I've bought (I know I can read each of the Myths texts one per day) but I won't really have that opportunity until Reading Week which is when I have to properly begin my research for my dissertation (no to mention re-wrote my dissertation proposal). By that point, I'll likely be much less excited by the whole thing.

The rest of this week will be dedicated to (a) the reading for Experiments in Writing which will take all of an hour tomorrow morning, and (b) my essay for 19th Century Poetry which - if I force myself - I can get done for Monday. If. So tomorrow (and the majority of the weekend) will be sold to that pursuit, a prospect which I find wholly depressing. (GAH. Why do I always think it's Wednesday on a Thursday night? That's so freaking irritating.) Sometime before Tuesday I have to write a minimalistic piece for Experiments in Writing, too. I have an idea but it might take some doing.

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I just realised, though, that after Tuesday's class, I have almost a fortnight off. Hmm. Maybe there's time to indulge in a book or two after all. Which is good because The Flatmate just lent me Bharati Mukherjee's The Middleman and Other Stories, and in a day or so, my copy of The Ramayan should turn up. I hope that's written in a style superior to that of my copy of The Mahabharata otherwise I'll be sorely disappointed.

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Eventually I'll take time to indulge in fandom. Tonight, though, I have to type up and code my [livejournal.com profile] numb3rswom3n fic, and watch Life.

delga: ([Random] turn in with the tides.)

Today I am feeling "anxious (randomly) (again)" because "no fucking clue". With thanks! M.

I tried to answer as many emails and comments as I could yesterday but I haven't caught up yet so I'll sort that out after class today. Yesterday's seminar was okay; I signed up for the first presentation because I like to get this stuff out of the way. So I have to read a lot of Shelley across the week.

If no-one is paying attention in the writing workshop today, I'm totally going to write Numb3rs fic.

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Talked to The Mother today. The Rents put money into my account so that (a) I clear my overdraft and (b) I have money to buy food. This should equal less anxiety and yet... nope. Still anxious.

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My favourite new song is LeAnn Rime's Nothing Better To Do. I heard it ages a go on the radio and then forgot about it. Then I heard it last night and now I can't get enough of it. The music is brilliant, the beat is brilliant, the lyrics tell the kind of story that I love to hear. Just a crazy roughneck's daughter / jumped head-first into the water / baptised away my sins. The video is similarly awesome. It's like Chicago but set in the south instead. Seriously, the visuals are perfect.

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I need to find some socks. And then head to class. Aie.

delga: ([torchwood] breathe in deep.)

I've never tried this before so here's hoping that this works.


Fingers crossed?

delga: ([csi:ny] the boys in the burgh.)

Look, I know - this is getting dangerously close to being a theme. BUT! I was trying to look up which episode of NCIS is showing tonight and naturally the TV was on the music channel. It was playing yet another song I've been hearing a lot of recently, except this one is really sweet, and light and generally adorable. The lyrics, however, somewhat dodgy:

you're way too beautiful, girl / that's why it'll never work / you'll have me suicidal, suicidal when you say it's over

But let not these oddly macabre lyrics put you off! It's actually a really lovely melody, and it samples Stand By Me. The guy who sings it - Sean Kingston I think? - has a really sweet voice. And the video is made of win, too! It's set in two diners simultaneously. One is in the present day, one is about 50-60 years ago and you flip between the two, with everyone dancing and swinging and all sorts of happy things. It's sort of refreshing to have a song/video that isn't about pimps, hos, ice and doh-lah.

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Am about to go downstairs and dance with Baby Gangsta Cousin. Will MSN/email after that.

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